laurieopal: opal (Default)
I've just examined 2 bronze pendants that are now cast. One design will be set with a chacapyrite from Russia and the other a miramumba tiger eye from southern Africa. The preliminary patinas look very interesting.

I'm also working on a group of small pendants for Boskone.

 

This remarkable piece of Fordite was brought to me by Louise Waugh. It took a long time to figure out the best way to design it and I think it worked out dramatically well. It's in sterling and the other stones are yellow and blue sapphires and lapis lazuli. Size is about 3.5".

Fordite is "...also known as Detroit agate or Motor Agate, is old automobile paint which has hardened sufficiently to be cut and polished. It was formed from the buildup of layers of enamel paint slag on tracks and skids on which cars were hand spray-painted (a now automated process), which have been baked numerous times."(Wikipedia) It is often cut into cabochons and this shape and colors are spectacular.

I loved the challenge of designing it.



laurieopal: opal (Default)
I’ve been working on a very painterly piece of Fordite that’s going to be a large tack (pin). I’m doing very subtle patterns in the wax that will set off the vivid colors in silver.

And I’ve finished the next to final version of a  7-section abstract asymmetrical silver and diamond necklace. Now I need to let it sit for a while before I make the final changes.

And I'm working on a major pendant/sculpture with a stunning opal.

The photograph is of a pendant set with rock crystal that has goethite inclusions. Only goethite would have the red flashes. (The white in the photo is a lamp reflection.) It’s about 1 inch high and the design is in silver.

Goethite (FeO(OH)), (pronunciation: /ˈɡɜːrtaɪt/ gur-tite) named after the German polymath and poet Johann Wolfgang von Goethe (1749–1832), an iron bearing hydroxide mineral of the diaspore group, is found in soil and other low-temperature environments. Goethite has been well known since ancient times for its use as a pigment (brown ochre). Evidence has been found of its use in paint pigment samples taken from the caves of Lascaux in France. It was first described in 1806 based on samples found in the Hollertszug Mine.

This is from Wikepedia. I had no idea that the stone was named after Goethe.



I love the red flashes.
laurieopal: opal (Default)
I just finished an abstract wax for a turquoise and brown Turkish collawood cabochon that also will be set with a few turquoise and cinnamon diamonds.

And a somewhat lacy patterned silver design with a small lovely watermelon tourmaline is cast, and now I need to polish it.

For a necklace with antique Chinese beads among other elements, I've just finished polishing some dark bronze beads (with a little iridescence) with a papyrus pattern. This is the second time I've created this iridescence in bronze so I'm a little more confident of being able to duplicate it.

I'm also finishing a wax for a brilliant stone with big flashes of copper ore that will have a dark bronze setting. It's a large very flamboyant looking design.

I'm workiing very hard getting work ready for Worldcon.

Photo is of a sterling pendant set with fordite and an art deco pink synthetic spinel. These spinels are the only time I have made an exception for synthtics. They came from someones grandfather who had been a jeweler in the 1930's and are very special.


Size is about 2.5 inches.  From the collection of Nancy Cobb.
laurieopal: opal (Default)
I've been polishing all day. Working on the first group of rings for Worldcon.
white jade, kyanite, chrysocolla, and a very unusual baroque pearl with a baby pearl attached.

And I'm doing the final polishing on the Fordite commission. It's been a very good day. The designs are looking beautiful as the polishing reveals the textures and I'm looking forward to setting the stones. Even though they are my work and I have a very clear visualization of how they will look, there is still a sense of completion when the stones are set that feels really good.

Photograph is of a sterling pendant set with a stone that combines malachite,chrysocolla and lapis. It was made for Joanna Lowenstein who does exquisite delicate work in wool. I wanted a design that gave a strong sense of her work. It was something new for me to base a design on and I really liked doing it. The work really flowed in the end.



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