laurieopal: opal (Default)
 


I've made original pendants with these stones for Balticon. (ck the preview for best photo)


The purple chalcedony with amethyst and the pearl and the carved obsidian blade with the pearl handle are cast and the malachite will be soon or I may just bring the stone.

I have a group of castings ready for tomorrow and lots of polishing to do in the next 3 weeks.

 

laurieopal: opal (Default)

These are images of two new rings that I just finished. I'm about to make  a number of my smaller pieces for Chicago. I'm starting to get excited
about going. I'll have some amazing dichroic glass by Nancy Pearlman that I'll be showing here before I go. I feel incredibly lucky to have them to work with.



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lapis, malachite, and azurite. It's a most unusual combination
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A flint knapped arrow head. Knapping is the very ancient way of working flint
 

I'm going back to work. Good night.
laurieopal: opal (Default)
I'm working really hard but I do have some photos to put up.



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Malachite and sterling about 3" high in black sterling design


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And ammonite from fossil about 1.5" in sterling design

 





laurieopal: opal (Default)
I've been doing some final work on a group of waxes. That means going over them them one final last time with magnifiers and great attention to detail.

So I don't have much that's new and interesting to say. But the group is finished and that is excellent. It's not my favorite part, but a much needed part nevertheless.

A friend had asked for more photos of stones, so I worked on that for a while this afternoon. The were remarkably uncooperative.

But I did get a good photo of this malachite. (White is light reflection)

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And here are the pearls:


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I'm planning to make some bronze settings for them.
laurieopal: opal (Default)
 There is an on-line opening for an exhibition (photos are on-line as well as in the gallery) that includes two of my photographs from Women of Japan, at the Ph21 gallery in Budapest at 7pm their time. It's titled "Imagination". (Please check for local time if you are interested. In San Francisco it's 10AM.) I'm planning to be there; it's the first on-line opening I've participated in, so I'm not sure what to expect.

Google Meet is https://meet.google.com/agc-rogp-kue and Facebook is https://www.facebook.com/events/325466078442221/

I've been working hard at staying focused and my work helps a lot. I've been working on an art deco spinel pendant with a sprinkling of rubies and sapphires, and a magnificent black opal pendant. I've just selected two of my shadow photos to send into a possible exhibition, and I'm thinking about putting the shadow group, which is still evolving, on Instagram.

I've just finished the red tiger iron that I posted about here. I was able to create an iridescent black on the sterling setting that matched the iridescent black in the stone. I hope it's photographable. It was a combination of a lot of work and serendipity. I hope i can do it again. I do know exactly what I did but that is not guarantee of replication.

The two pendants below are both malachites but very different stones.

This one with the blue is a chatoyant malachite with some lapis as part of the stone. The light vivid green is actually chatoyancy.  Chatoyant is when a stone shows  bands of bright reflected light caused by aligned inclusions in the stone. It's fairly rare in malachite and probably most commonly seen in tiger eye.




This stones has very unusual  broad black makings that I have not seen before. I made the black sterling setting to emphasize the black designs in the stone.








laurieopal: opal (Default)
I 'm back from Wiscon and back in the world. I came home sick so I took some down time and am now mostly better.

It was really good seeing everyone and I wish that this wasn't my last year. (I've been coming for 14 years.) But Wiscon is only able to give me 2 tables, so there isn't room to show my work. If you have seen my display you understand. I can't show my work in 2/3 of my normal space.( I can barely show it well in my normal 3 table space.) I was very serendipitously lucky to get 3 tables this year but it won't happen again.

It was good to be there this year. I'm going to miss lots of people. I was on the memorial panel for Vonda McIntyre and that was important.

Anyway, I'm back at work with a some commissions cast that need to be polished and set. There should be lots of photos coming.


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it's about 2" high - a stunning piece of African malachite. The design is in bronze with copper wire and malachite beads. It's from the collection of Simran Khalsa.

And I just got an exciting commissions for a design for a large fascinating large opal in a cubist influenced design.

laurieopal: opal (Default)
This design was influenced by the Japanese woodblock prints in the ukiyo-e style landscapes from the Edo period. I had some reproductions in my room in my teens.




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The opal waterfall with turquoise diamonds is in silver. The gorgeous opal is Australian. Size is about 2.75".

It's from the collection of Barb Moermond.

I'm working on a tanzenite ring in silver and a pair of black wedding bands (patined silver).

And I've finished in wax, two very different African malachite pendants. On is a very stylized bird head in silver and the other is in an abstract bronze woven with copper wire. I've been working on them both for a long time, and it was interesting to make different designs from similar malachite from the same part of the world. And different as they are they do talk to each other.

The Chinese phoenix pendant is done and if it photographs well there will be a photo soon.

Sorry I haven't posted in 2 weeks, I've been nibbled to death by largish ducks.
laurieopal: opal (Default)
I've been polishing all day. Working on the first group of rings for Worldcon.
white jade, kyanite, chrysocolla, and a very unusual baroque pearl with a baby pearl attached.

And I'm doing the final polishing on the Fordite commission. It's been a very good day. The designs are looking beautiful as the polishing reveals the textures and I'm looking forward to setting the stones. Even though they are my work and I have a very clear visualization of how they will look, there is still a sense of completion when the stones are set that feels really good.

Photograph is of a sterling pendant set with a stone that combines malachite,chrysocolla and lapis. It was made for Joanna Lowenstein who does exquisite delicate work in wool. I wanted a design that gave a strong sense of her work. It was something new for me to base a design on and I really liked doing it. The work really flowed in the end.



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